CHOI, EunJin < Yuyongmuyongron (Theory of Useful Dance) >
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Intro A Persistent Research on the Artist's Body Synopsis Can a silent, stationary dance reach social praxis? Review "Although the pot containing a rubber tree pot was ferreted out and the stage littered with dirt and torn-apart styrofoam by the three performers who exhibited incapacity through performing incomplete tasks, the forty-five-minute performance left both the dancers and non dancers in the audience stimulated. " Photos and video Creator / artist CHOI, EunJin attempts to find a diverse perspective on the body by extending the boundaries of choreography and dance. In 2014, her work Decoding Movement that was funded by ARCO’s Emerging Interdisciplinary Artist was invited to Festival:Bom and in 2015 she showcased a collaborative piece Self-generative Theatre, an extension of Decoding Movement, at the Random Access Exhibition of Nam June Paik Art Center. She is continuing her practice, which incorporates a variety of choreographic and dance methodologies in National Theatre Wales summer camp and New York Movement Research residency/exchange program. Promotion Infomation
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